Logo Concentra Award
VJ storyteller: Peter Wollring
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In this Q&A-series, we put video journalists in the spotlight. They are a special breed and, in the spirit of The Concentra Award, we love to hear their fascinating stories. Nominated in 2005 for his item on Toilet Cabins, dutch VJ Peter Wollring has seen his share of remarkable news. He happily agreed to a Q&A for our storyteller-series!
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How much work experience do you have? And how long as a video journalist?
I've worked for several international organisations before becoming a journalist nine years ago. First in print, then I joined NOS TV-News in 1999 and left it to become a freelance videojournalist in 2005. I've been a VJ for three years, making short newsy stories for NOS first and longer pieces now, up to short documentaries of half an hour. A fantastic format for a videojournalist, with endless possibilities.
How many video journalists work at your station?
The TV-station I’ve been working with the most as a freelancer is AT5 in Amsterdam. AT5 has got about fifteen videojournalists.
What is the biggest advantage of your work as a video journalist?
The freedom and the control. The freedom in the field and the control is in both the field and the edit. It’s just great. Reporting, filming and editing are still seen by most as three seperate professions – well, they are not (when it comes to most TV-reporting, be it long or short stories). Just as with any other medium, storytelling is the main thing. An experienced videojournalist will allways come back with the better story.
Do you encounter problems as a video journalist?
First it was the stress of having to do several things at the same time. This phenomenon dissappeared when I gained experience and learned to trust my equipment.
Tell us about your camera, editing software, ...
Sony HVR-Z1E, Sachtler DV-tripod (tip: with speedlock), Sony wireless set with Tram microphone, Avid Xpress Pro. I am very satisfied with the quality of the gear, although the Z1 indeed catches less light than the PD170. Overall, I regard the Z1 as much more practical: The distance indicator on the focus is brilliant, as well as the nob on the zoom-ring. It is only half a kilo heavier than the PD170, but I feel the size of the Z1 is a factor of concern. In some circumstances it is best when the videojournalist looks like just another tourist instead of a Real Cameraman. Good gear is essential to minimize challenges to the story irrevocably unfolding in the brain.
Do you use a tripod? Why (not)?
First, I thought I could manage without. Later I learned how important a steady shot is when you’re filming steady objects. It gives you very powerful possibilities in the edit. Never ever use a tripod when you’re close to your characters. Ultimate flexibility is the most powerful tool of the videojournalist.
Do you have an insider tip or trick for fellow video journalists?
The quality of the pieces I see is increasing, so not really. May be try and use more color correction in the edit.
External Link: AT5 Amsterdam
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