![]() |
In this Q&A-series, we put video journalists in the spotlight. They are a special breed and, in the spirit of The Concentra Award, we love to hear their fascinating stories. The BBC gave Freddie Rostand carte blanche to create unusual and eccentric stories. We were glad he lend us his creative mind for an interesting Q&A. |
Frederic-Pierre 'Freddie' Rostand, 47 and BBC VJ. How much work experience do you have? And how long as a video journalist?
I've been working for the BBC for 16 years, 6 as a VJ. How many video journalists work at your station?
Approximately 8. What is the biggest advantage of your work as a video journalist?
As an example, hard to single any one out, suffice to say the BBC liked the creative styles I tackled and so gave me my own series. I am now in my 2nd year of that series called "Freddie's" in which I was given carte blanche to make features on eccentric/extraordinary/unusual people and their passions. Freedom to be as creative as I wish. Wonderful! Do you encounter problems as a video journalist?
Tell us about your camera, editing software, ... What effect does your gear have on the story?
The editing software I use is Avid Express Pro. Whilst I have heard much about FCP and I love Macs, but we use windows systems in the BBC and I enjoy Avid enormously. I have over the years explored virtually all the effects and tricks which I find easy to use having got so used to the system. This also feeds back into my concept developing for some of the stories. I work much more at the creative end rather than the hard news end. I also have a lot of time in my feature series to edit and so can play with and try out many new things. I find the Avid website useful too with the tips and tutorials they offer free. Do you use a tripod? Why (not)?
External link: BBC South Today - Freddie's
Storyteller profile
Several advantages. Relationship with the subject is easier to form and less intimidating with a small camera. Less disruptive to filming situations with a discreet camera. I can also get the shots I want to get how I want them when I want them without having to explain to a cameraman the style I want and the shots I have in mind which always involves compromises and frustration.
I don't really have any problems, apart from lugging kit around. I have chosen to use a heavyweight tripod rather than the rubbish that was issued to us as I often need steady shots and moves when not being hand held.
I use a Sony Z1 camera. Terrific piece of kit. Much better than the PD150 in my view. More user friendly, and so able to make changes to the settings as conditions change without disrupting the the shooting. Also better screen and viewfinder and weight balance overall.
Yes when occasion demands. It really does depend on the situation and the style I am trying to achieve. For much of the time I don't use one. I couldn't do what I do without it, but that is because of the types of film I make.
Do you have an insider tip or trick for fellow video journalists?
Nothing I am sure my colleagues don't know already. In challenging or emotional situations I find listening and not talking or just asking minimal questions to be useful, as people tend to fill the silences and then things start to happen. Don't force it out of them.